News Hub for Indian Animation VFX Comics Gaming Merchandising Applications Ecosystem
Currently streaming on Amazon Prime and released in late 2022, Black Adam was one of the mostanticipated movies from the DC Universe starring Dwayne Johnson, Pierce Brosnan, Sarah Shahi, NoahCentineo, Quintessa Swindell and others. As expected in many superhero movies, it has severalVFX-heavy scenes. To learn more in-depth details about the VFX techniques used, Animation Xpressinterviewed Fabricio Baessa who was DNEG’s VFX Supervisor for Black Adam.For Black Adam, DNEG worked on five sequences delivering 200 shots with the help of about 300 artistsfrom DNEG studios in Mumbai, London and Montreal.
Black Adam on Throne
DNEG was behind the popular promotional pose and poster scene where Black Adam is seen sitting onhis throne. DNEG’s goal was to recreate the scene as closely as possible to the original comic bookversion. From the blue and purple sky and clouds to the sun rays shining through, all details were added to ensure it looked both cinematic and majestic. Baessa said, “We had to construct the throne from scratch. We decided to create a 100 per cent CG throne and we applied some scene extension from the sides. A fun fact: when Black Adam sat on the throne, he originally had wrinkles on his clothes and we were responsible for removing these to ensure everything looked perfect.”
Climax sequence
DNEG worked on everything inside the throne room. Baessa said, “We worked on the lighting and thesmoke effects used during the fight inside the throne room. The director had a specific vision for thelighting. To create the room true to the reference, we had to measure and maintain the thickness of thelight and monitor how it moved. For the smoke that was added, the filmmakers envisaged this to beilluminating smoke rather than regular smoke so the team worked accordingly.”
Post-credit scene
The post-credit scene is an emotional scene which marked the entry of Superman and was an importantpart of the film. The DNEG team worked under significant time pressure and managed to complete thescene in three weeks. Not wanting to spoil this for the fans, the team strived to ensure the scene wouldlive on in the memories of viewers. It was important to ensure the sky and stars looked as realistic aspossible. The drone landing from the sky was another important component of the work. DNEG didresearch on its movements to ensure it looked realistic and authentic.
DNEG used actual paintings and photo references to determine what looked best. They also used adigi-double for Black Adam in the film. The most challenging part was aligning DNEG’s work with the other VFX studios working as additional vendors on the film, each with different pipelines and ways of working.
Speaking about his experience working with Director Jaume Collet-Serra, Baessa said, “He really likes toexplore alternative ways of presenting an idea inside a scene. It’s very important for him. He visualizes the ideas and chooses the best path to take based on viable options. Once he sees something that makeshim happy, he’s very clear on how we can help him realize his final vision. Once Jaume locks the idea, it iseasy for us to execute it.”
Black Adam was also a special project for Baesaa, “It was an interesting project for me. I was a nerd and Ihad all the comic books. I also worked on two Wonder Woman projects, we did Superman and Batman,and when Black Adam came, I was really excited to join the project.”
Sharing about DNEG’s current and upcoming projects, Baessa mentioned that the team was excited tohave worked on the upcoming film, Shazam 2. He also recently went to Texas for the shooting of RobertRodriguez’s next project.