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Aspiring animation enthusiasts, here’s what Indian animation studios look for in candidates

The AVGC industry in India is constantly evolving and consistently growing. It is shaped by the advances in technology and availability of sophisticated softwares as well as by the creative and imaginative flair of new generations of artists. The industry has continued to witness an influx of a good number of talented and innovative young minds over the years. Thus, many studios in this business prefer to hire students, aspiring to be successful in this sector someday.

Nageswari Namana

Already a name in the industry for their iconic IP Chhota Bheem, Green Gold Animation always have an eye for young talent. They look at students not only as potential employees for their company but as new blood for the industry as a whole.

Green Gold Animation HR head Nageswari Namana mentions : “In almost all our interactions, including when we go for campus recruitment, we like to look at individual artists, their work and their career aspirations. We advise them on what job would suit best to their talent. It’s a bit of counseling work and we do it without any vested interest. We have an ingrained respect for all artists – young or old.”

Few main things that Green Gold Animation looks for, in a fresher :

Advice to Freshers :

For Toonz Animation too, the basic parameters remain the same. As the studio’s HR Camilla Mary comments, “Our prime criteria for selection of a candidate, depends on whether the he/she is up-to-speed in the required stream, combined with strong foundations in the basics yet harnessing a versatile approach of having to meet the varied requirements of different projects being the constant challenge. And importantly, has the desire and commitment to rise to the level of benchmarking Toonz has achieved along its 20-year path to becoming a leading global force in entertainment, a place it proudly holds today.”

Few ‘must-have’ priceless ingredients according to Toonz :

Camilla Mary and Toonz Animation’s IP ‘Sherazade’

Mary further adds, “The person has to be more of an artist; as in the individual has to be equipped with creative skill-sets, software knowledge and understanding. This is crucial when it comes to conceptualising and visualising. Even in an age of technological advancements, the hands-on approach is more viable, and Toonz embraces and nurtures creative initiative, something which has enabled it to create so many flagship brands and shows.”

For the entry level artist, a few more pointers need to be considered which are key to becoming part of Toonz :

(From L to R) Soumitra Ranade, Aashish Mall and Mayank Patel

Paperboat Design Studios is another studio that specialises in animation for TV, film and digital forums. Over the years they’ve regularly received resumes, internship requests and job applications through their website. Students from several eminent colleges apply as animators, visualisers and artists to make a mark in the sector.  

Paperboat Studios chairman Soumitra Ranade, creative director and co-founder Aashish Mall and Mayank Patel notes : “At Paperboat, we prefer generalists to specialists i.e. we prefer someone who is excellent in his/her field of work but who has exposure to several different areas of work. Also it goes without saying that we require our recruits to have a great imagination and, most importantly, an ability to work in a team.”

Tips from team Paperboat to keep in mind:

DQ Entertainment International, (DQE) is one of the largest animation companies in India in the same league who has been executing world class productions and is known for keeping student interest in total focus.

Hatim Adenwala and DQE IP ‘The Jungle Book’

DQE human resources and operations president Hatim Adenwala quotes : “DQE is working out of two locations, Hyderabad and Kolkata with a manpower base of 1700 Artist. We’re one of the few animation companies who gives freshers a chance to enter this industry and hone their skills in different genre of animation. We follow a very robust and healthy recruitment process and also have unique characteristic of having highly skilled and experienced national and international mentors for these trainees. We take the growth of these freshers/trainees very seriously and is instrumental in giving the best animation workforce to various animation companies in India.”

The leading criteria for recruitment for DQE are :

The Indian animation industry holds a huge prospects in itself. And with more creative young minds joining the bigger circle makes the scenario even better. We hope to see some masterpieces coming from talented students in the near future!

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