Bidding adieu to the year 2022, Warner Bros. Discovery gives a sneak peak of their performance…
Author: Binita Das
Year Ender 2022: Basking in the glory of original content creation, Indian animation studios promise to keep up the tempo
For the Indian animation industry, 2022 has been fruitful in terms of new projects, working on…
Sony YAY! ends the year on a positive note with plans of creating an ecosystem called ‘Happyverse’
Indian kids’ broadcasters have been one of the major drivers that have led to the increased…
Remembering Indian animation champion Arnab Chaudhuri on his third death anniversary
A pioneer and a creative genius, Arnab Chaudhuri was a man whose infectious smile and suave…
‘Karighar’- an experimental collaboration of traditional and digital art by Switch Studio founder Upasana Nattoji Roy
Motion design and storytelling firm Switch Studio that has been working in collaboration with a diverse…
Westworld VFX managing director Koni Jung shares their experience of exploring the use of LED walls for Netflix projects
SIGGRAPH Asia 2022 held in Daegu, South Korea, highlighted the creative visual effects that are being…
Content expert Riaz Mehta talks about his efforts of revolutionising content licensing and distribution ecosystem through his digital marketplace
If content is the king, the right strategies, marketing and its distribution mechanism are definitely the…
Upasana Nattoji Roy’s FIFA ’22 World Cup stage visuals for ‘Perfect Amalgamation’ & Bollywood Music Festival is a visual treat laced with melliflous music
Recently held FIFA ‘22 World Cup’s Bollywood Music Festival at Lusail Stadium in Qatar on Friday,…
Halloween special: YouTube channel The Khooni Monday’s animated series ‘The Clown’ brings the creepiest adaptation of ‘Twinkle Twinkle Little Star’
An animated show can become creepy, creepier and the creepiest if an innocent childhood memory becomes…
